{"id":3130,"date":"2024-06-20T14:42:58","date_gmt":"2024-06-20T12:42:58","guid":{"rendered":"https:\/\/mc-faustvrancic.com\/?p=3130"},"modified":"2024-06-20T15:44:57","modified_gmt":"2024-06-20T13:44:57","slug":"u-potrazi-za-faustom-po-veneciji-i-padovi-1-dio","status":"publish","type":"post","link":"https:\/\/mc-faustvrancic.com\/en\/2024\/06\/20\/u-potrazi-za-faustom-po-veneciji-i-padovi-1-dio\/","title":{"rendered":"U potrazi za Faustom po Veneciji i Padovi – 1.dio"},"content":{"rendered":"
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Ivana Sko\u010di\u0107 i Zlatka Rodin iz Memorijalnog centra \u201eFaust Vran\u010di\u0107\u201c<\/figcaption>\n\t\t\t\t\t\t\t\t\t\t<\/figure>\n\t\t\t\t\t\t\t\t\t<\/div>\n\t\t\t\t<\/div>\n\t\t\t\t<\/div>\n\t\t
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Nakon uspje\u0161nog predavanja \u201eStisak ruke Leonarda da Vincija i Fausta Vran\u010di\u0107a\u201c, drugog po redu organiziranog u suradnji s Kulturnim domom, iz pograni\u010dne smo se Gorizije vlakom uputile u Veneciju. Grad u kojem je Faust \u017eivio u tri navrata, da bi na kraju u njemu i umro. \u0160etaju\u0107i po turistima zakr\u010denoj Veneciji, moram priznati da je bilo prili\u010dno izazovno slijediti Faustov trag. Venecija njegova vremena prekrivena je slojevima \u010dak \u010detiri stolje\u0107a koja nas dijele. U Faustovo doba turizam se svodio na hodo\u010da\u0161\u0107a, a danas se cijela Venecija svela na turizam, do te mjere da se za sljede\u0107u godinu najavljuje uvo\u0111enje naplate samog ulaska u grad.<\/p>

Za bolje razumijevanje va\u017enosti centra mo\u0107i tada\u0161nje Serenissime, svakako je bilo potrebno posjetiti bizantsku baziliku sv. Marka koja se sva ljeska u mozaicima i pozlati te grandiozno remek djelo goti\u010dke arhitekture \u2013 Du\u017edevu pala\u010du. Budu\u0107i da je Faust slovio za religioznog \u010dovjeka lako ga se mo\u017ee zamisliti kako se moli u misti\u010dnoj atmosferi bazilike Svevi\u0161njem za pomo\u0107 oko provedbe svojih genijalnih zamisli u djelo.<\/p>\t\t\t\t\t\t\t\t<\/div>\n\t\t\t\t<\/div>\n\t\t\t\t<\/div>\n\t\t\t\t\t<\/div>\n\t\t\t\t<\/div>\n\t\t

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Naime, na projektu dovo\u0111enja pitke vode i izgradnje fontani na trgu sv. Marka Faust je zaista radio, iako projekt nikad nije realiziran. U njegovom kapitalnom djelu\u00a0Machinae novae<\/em>, u tehnici bakroreza prikazana je i slavna bazilika, a o samom izumu Faust u obja\u0161njenjima ka\u017ee sljede\u0107e:<\/p>\t\t\t\t\t\t\t\t<\/div>\n\t\t\t\t<\/div>\n\t\t\t\t<\/div>\n\t\t

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Bazilika sv. Marka<\/figcaption>\n\t\t\t\t\t\t\t\t\t\t<\/figure>\n\t\t\t\t\t\t\t\t\t<\/div>\n\t\t\t\t<\/div>\n\t\t\t\t<\/div>\n\t\t\t\t\t<\/div>\n\t\t\t\t<\/div>\n\t\t
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Venecijanski zdenci<\/figcaption>\n\t\t\t\t\t\t\t\t\t\t<\/figure>\n\t\t\t\t\t\t\t\t\t<\/div>\n\t\t\t\t<\/div>\n\t\t\t\t<\/div>\n\t\t
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Nema niti jednog grada u cijelom svijetu, koji bi se mogao usporediti s Venecijom, koja je k tome, jer je sagra\u0111ena usred mora, posvuda prolazna s kopna i s mora. Osim toga, ukra\u0161ena je javnim i privatnim gra\u0111evinama, da joj niti jedan grad nije ravan, pa joj dakle ni\u0161ta ne manjka za ukras i ljepotu osim zdenaca sa \u017eivom slatkom vodom, kakve imaju drugi gradovi na kopnu, koje jo\u0161 do sada nitko nije mogao na\u010diniti. Stoga, pribli\u017eno od prije tisu\u0107u dvije stotine godina, to jest od prvog vremena njezinog podizanja, ovu priliku i ukras nije nikada mogla imati. Nakon dugog razmatranja ove stvari, dr\u017eim da sam na\u0161ao sredstvo kojim se to, nakon odstranjivanja svih zapreka, mo\u017ee lako ostvariti.<\/em><\/p>\t\t\t\t\t\t\t\t<\/div>\n\t\t\t\t<\/div>\n\t\t\t\t<\/div>\n\t\t\t\t\t<\/div>\n\t\t\t\t<\/div>\n\t\t

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Ako pa\u017eljivije promotrimo sliku primijetit \u0107emo na njoj i podno\u017eje zvonika sv. Marka. Zvonik je visok 98 m, a njime se 1609. godine poslu\u017eio Galileo Galilei za demonstraciju svoga teleskopa. No, poslu\u017eio je zvonik i za ne\u0161to druga\u010dije demonstracije. Engleski biskup i polihistor John Wilkins u svom djelu Matematical Magic iz 1648. bilje\u017ei testiranje skoka, ali ne navodi identitet skaka\u010da, to\u010dnu godinu skoka niti druge detalje. Je li za taj skok bio odgovoran na\u0161 Faust \u2013 autor prvog tiskanog nacrta funkcionalnog padobrana i povremeni stanovnik grada na lagunama? Faust zna i zagonetno se smije\u0161i dok kro\u010di preko trga sv. Marka prema Du\u017edevoj pala\u010di. Tamo ima drugog posla. Mora predati molbu za patentnu povlasticu za neke od svojih izuma, to\u010dnije pila i mlinova. Naime, manje je poznato da je Faust jo\u0161 za \u017eivota, mnogo prije negoli je pred samu smrt objavio zbirku izuma Machinae novae, imao prihode koje su mu donosili njegovi patenti odobreni od strane mleta\u010dkog du\u017eda. Venecija je ve\u0107 1474. donijela najstariji poznati zakon o patentima, a Faust koji je uz filozofiju studirao i pravo, bez sumnje je bio dobro upu\u0107en u na\u010din podno\u0161enja molbi.<\/p>\t\t\t\t\t\t\t\t<\/div>\n\t\t\t\t<\/div>\n\t\t\t\t\t<\/div>\n\t\t\t\t<\/div>\n\t\t

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Du\u017edeva pala\u010da<\/figcaption>\n\t\t\t\t\t\t\t\t\t\t<\/figure>\n\t\t\t\t\t\t\t\t\t<\/div>\n\t\t\t\t<\/div>\n\t\t\t\t<\/div>\n\t\t
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No, postajali su razlozi intimnije prirode zbog kojih se Faust \u201emotao\u201c oko Du\u017edeve pala\u010de. Kako saznajemo iz Faustove korespondencije sa stricem Antunom, Faust je dogovarao brak s k\u0107erkom jednog tajnika Vije\u0107a desetorice. Ime Faustove supruge bilo je Maria Zarensis, a brak je navodno sklopljen 1578., dok je stri\u010devo pismo ranije datacije \u2013 iz 1572. Je li Maria Zarensis bila Venecijanka s kojom je imao duge zaruke ili do vjen\u010danja s k\u0107erkom tajnika nikad nije ni do\u0161lo, pa se Faust okrenuo prema na\u0161im krajevima u potrazi za suprugom, jo\u0161 uvijek nije poznato.<\/p>

Ono \u0161to zasigurno znamo iz iste te prepiske jest \u010dinjenica da je stric Antun imao \u010dvrst stav po pitanju \u017eenidbe svojih ne\u0107akinja, Faustovih sestara s Mle\u010danima. \u201eMi se sigurno nikad ne\u0107emo slo\u017eiti da se na\u0161e ne\u0107akinje sparuju s mleta\u010dkim plemi\u0107ima.\u00a0<\/p>\t\t\t\t\t\t\t\t<\/div>\n\t\t\t\t<\/div>\n\t\t\t\t<\/div>\n\t\t\t\t\t<\/div>\n\t\t\t\t<\/div>\n\t\t

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Pa oni su va\u0161i gospodari: jednaki niti ho\u0107e niti mogu biti!\u201c, pisao je stric ne\u0107aku. Je li Antun imao jednak stav i po pitanju brakova mu\u0161kih \u010dlanova obitelji ne mo\u017eemo znati, iako u pismu Faustu priznaje kako taj brak nije prilika koju treba odbaciti, ali ga savjetuje da bude oprezan da ne bi upao u zamku.<\/p>

U venecijanskim se knji\u017earama Faust opskrbljivao knjigama za vrijeme svojeg studija u Padovi, a venecijanskim je tiskarima povjerio tiskanje svih svojih knjiga u kasnijim fazama \u017eivota. Giovanni Alberti i Niccolo Moretti ugledni su mleta\u010dki tiskari kod kojih su otisnuta Faustova djela, no do to\u010dnih lokacija njihovih tiskara nismo zasad mogle do\u0107i.<\/p>\t\t\t\t\t\t\t\t<\/div>\n\t\t\t\t<\/div>\n\t\t\t\t\t<\/div>\n\t\t\t\t<\/div>\n\t\t

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Bratov\u0161tina sv. Jurja i Tripuna \/ Scuola Dalmata dei santi Giorgio e Trifone - na slici lijevo<\/figcaption>\n\t\t\t\t\t\t\t\t\t\t<\/figure>\n\t\t\t\t\t\t\t\t\t<\/div>\n\t\t\t\t<\/div>\n\t\t\t\t<\/div>\n\t\t
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Svega par koraka od Du\u017edeve pala\u010de zavr\u0161ava\u00a0sestiere<\/em>\u00a0San Marco i po\u010dinje\u00a0Castello<\/em>\u00a0\u2013 venecijanska gradska \u010detvrt u kojoj su stolje\u0107ima \u017eivjeli i radili ljudi na\u0161ih krajeva. Pod Du\u017edevom pala\u010dom ve\u0107 po\u010dinje\u00a0Riva degli Schiavoni\u00a0<\/em>\u2013 nazvana po Hrvatima s isto\u010dne obale Jadrana koji su jo\u0161 od ranog srednjeg vijeka imali jake trgova\u010dke veze s Venecijom, \u0161to je vremenom dovelo do stvaranja velike zajednice doseljenika, najvi\u0161e s podru\u010dja Dalmacije. Oni su, kao \u0161to je bilo uobi\u010dajeno u to vrijeme, poput ostalih sli\u010dnih grupa osnovali svoju\u00a0bratov\u0161tinu<\/em>, \u010diji je rad venecijansko Vije\u0107e desetorice odobrilo 1451. Posve\u0107ena je svetom Jurju i sv. Tripunu, a puno joj ime glasi\u00a0Scuola Dalmata dei santi Giorgio e Trifone<\/em>. Bratov\u0161tina djeluje i danas, u istoj renesansnoj zgradi, no njeno \u010dlanstvo \u010dini ne\u0161to druga\u010dija vrsta Dalmatinaca od one koji su je osnovali \u2013 radi se mahom o esulima.<\/p>\t\t\t\t\t\t\t\t<\/div>\n\t\t\t\t<\/div>\n\t\t\t\t<\/div>\n\t\t\t\t\t<\/div>\n\t\t\t\t<\/div>\n\t\t

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Vittore Carpaccio: Sv. Juraj ubija zmaja (tempera na drvu, 1502. g)<\/figcaption>\n\t\t\t\t\t\t\t\t\t\t<\/figure>\n\t\t\t\t\t\t\t\t\t<\/div>\n\t\t\t\t<\/div>\n\t\t\t\t<\/div>\n\t\t
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1979. darovnicom posljednje grofice Ivanovi\u0107, Bratov\u0161tina postaje i vlasnikom pala\u010de koja nosi prezime obitelji, a nalazi se svega par metara ni\u017ee od same zgrade Scuole. U njoj su se smjestili arhiv, biblioteka i muzej posve\u0107en Dalmaciji, u sklopu kojega se \u010duva i lijeva ruka s Tommaseovog spomenika u \u0161ibenskom parku, koji je rastaljen nakon oslobo\u0111enja \u0160ibenika 1945.<\/p>

Spomen plo\u010da posve\u0107ena \u0160iben\u010daninu Tommaseu nalazi se u sakristiji same Scuole, dok spomenik koji je Venecija podigla njemu u \u010dast krasi trg Campo Santo Stefano.<\/p>\t\t\t\t\t\t\t\t<\/div>\n\t\t\t\t<\/div>\n\t\t\t\t<\/div>\n\t\t\t\t\t<\/div>\n\t\t\t\t<\/div>\n\t\t

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Ono \u0161to u Scuolu privla\u010di ljubitelje umjetnosti iz cijelog svijeta devet je slika \u010duvenog renesansnog slikara Vittorea Carpaccia, koje je Bratov\u0161tina naru\u010dila u vrijeme kad je ovaj ve\u0107 u\u017eivao ugled. Slike ilustriraju legende o trima za\u0161titnicima Bratov\u0161tine: Sv. Jurja, Sv. Tripuna i Sv. Jeronima. Kakve je kontakte imao na\u0161 Faust s \u010dlanovima Bratov\u0161tine \u2013 nije nam poznato. \u010clanovi Bratov\u0161tine uglavnom su bili pu\u010dani \u2013 trgovci, obrtnici, pomorci, rje\u0111e plemi\u0107i koji su se zbog svog statusa kretali u vi\u0161im dru\u0161tvenim krugovima i imali druga\u010dije interese od obi\u010dnog puka.<\/p>

U venecijanskim se knji\u017earama Faust opskrbljivao knjigama za vrijeme svojeg studija u Padovi, a venecijanskim je tiskarima povjerio tiskanje svih svojih knjiga u kasnijim fazama \u017eivota. Giovanni Alberti i Niccolo Moretti ugledni su mleta\u010dki tiskari kod kojih su otisnuta Faustova djela, no do to\u010dnih lokacija njihovih tiskara nismo zasad mogle do\u0107i.<\/p>\t\t\t\t\t\t\t\t<\/div>\n\t\t\t\t<\/div>\n\t\t\t\t\t<\/div>\n\t\t\t\t<\/div>\n\t\t

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Barjak Bratov\u0161tine<\/figcaption>\n\t\t\t\t\t\t\t\t\t\t<\/figure>\n\t\t\t\t\t\t\t\t\t<\/div>\n\t\t\t\t<\/div>\n\t\t\t\t<\/div>\n\t\t
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Arhiv Bratov\u0161tine - za daljnja istra\u017eivanja pozvoniti na donje zvono<\/figcaption>\n\t\t\t\t\t\t\t\t\t\t<\/figure>\n\t\t\t\t\t\t\t\t\t<\/div>\n\t\t\t\t<\/div>\n\t\t\t\t<\/div>\n\t\t\t\t\t<\/div>\n\t\t\t\t<\/div>\n\t\t
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Nekada\u0161nja crkva Sv. Provola na veduti Venecije - Jacopo de Barbari, 1500.<\/figcaption>\n\t\t\t\t\t\t\t\t\t\t<\/figure>\n\t\t\t\t\t\t\t\t\t<\/div>\n\t\t\t\t<\/div>\n\t\t\t\t<\/div>\n\t\t
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No, svega dvije ulice i jedan most dalje smjestio se slikoviti venecijanski trgi\u0107\u00a0Campo San Provolo<\/em>. Na njemu smo zastale popiti odli\u010dan\u00a0espresso\u00a0<\/em>i okrijepiti se s nogu\u00a0cicchettijima\u00a0<\/em>u jednom od tipi\u010dnih venecijanskih\u00a0bacaroa<\/em>\u00a0\u2013 tradicionalnih vinskih barova, u kojima se mo\u017ee prezalogajiti, a neizostavne su dnevne postaje svakog Venecijanca. Ispostavilo se da ba\u0161 ovaj bacaro u koji smo zasjele, imena\u00a0Risorto<\/em>, ima kultni status. Uz zvuke klasika rock glazbe upijale smo atmosferu trgi\u0107a na \u010dijem se mjestu sve do 19. stolje\u0107a nalazila\u00a0crkva San Provolo<\/em>, na \u010diji se\u00a0 jedini ostatak \u2013 goti\u010dki portal, naslanja zgrada ovog bacaroa. Crkva je sru\u0161ena te su sve\u00a0 njene relikvije preba\u010dene u stotinjak matera udaljenu\u00a0crkvu sv. Zaharije<\/em>\u00a0te se na njenom mjestu danas nalaze stambene zgrade.<\/p>\t\t\t\t\t\t\t\t<\/div>\n\t\t\t\t<\/div>\n\t\t\t\t<\/div>\n\t\t\t\t\t<\/div>\n\t\t\t\t<\/div>\n\t\t

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Goti\u010dki portal nekada\u0161nje crkve San Provolo<\/figcaption>\n\t\t\t\t\t\t\t\t\t\t<\/figure>\n\t\t\t\t\t\t\t\t\t<\/div>\n\t\t\t\t<\/div>\n\t\t\t\t<\/div>\n\t\t
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Tu se nalazila i ku\u0107a Jeronima Jubetea, kapelana crkve sv. Provola u kojoj je Faust Vran\u010di\u0107, na samrti sastavio dodatak svojoj oporuci gdje tra\u017ei da nakon smrti njegovo tijelo bude prevezeno brodom i pokopano na otoku Prvi\u0107u. U toj je istoj ku\u0107i, na\u0161 Faust, 20. sije\u010dnja 1617. godine napustio ovaj svijet, to\u010dno 20 dana nakon \u0161to je napunio 66 godina \u017eivota. Njegovo se tijelo u drvenom sanduku u koji je, tako\u0111er po oporu\u010dnoj \u017eelji, stavljena metalna kutija s njegovim tiskanim djelima i jednim rukopisom, zaputilo kroz kanal pogrebnom gondolom do luke u kojoj je galijom preba\u010deno do rodnog kraja.<\/p>

Autor teksta: Zlatka Rodin<\/p>\t\t\t\t\t\t\t\t<\/div>\n\t\t\t\t<\/div>\n\t\t\t\t<\/div>\n\t\t\t\t\t<\/div>\n\t\t\t\t<\/div>\n\t\t\t\t<\/div>","protected":false},"excerpt":{"rendered":"

Ivana Sko\u010di\u0107 i Zlatka Rodin iz Memorijalnog centra \u201eFaust Vran\u010di\u0107\u201c Nakon uspje\u0161nog predavanja \u201eStisak ruke Leonarda da Vincija i Fausta Vran\u010di\u0107a\u201c, drugog po redu organiziranog u suradnji s Kulturnim domom, iz pograni\u010dne smo se Gorizije vlakom uputile u Veneciju. Grad u kojem je Faust \u017eivio u tri navrata, da bi na kraju u njemu i […]<\/p>","protected":false},"author":1,"featured_media":3131,"comment_status":"closed","ping_status":"open","sticky":false,"template":"","format":"standard","meta":{"_acf_changed":false,"footnotes":""},"categories":[24],"tags":[],"class_list":["post-3130","post","type-post","status-publish","format-standard","has-post-thumbnail","hentry","category-blog"],"acf":[],"yoast_head":"\nU potrazi za Faustom po Veneciji i Padovi - 1.dio - Memorijalni centar Faust Vran\u010di\u0107<\/title>\n<meta name=\"robots\" content=\"index, follow, max-snippet:-1, max-image-preview:large, max-video-preview:-1\" \/>\n<link rel=\"canonical\" href=\"https:\/\/mc-faustvrancic.com\/en\/2024\/06\/20\/u-potrazi-za-faustom-po-veneciji-i-padovi-1-dio\/\" \/>\n<meta property=\"og:locale\" content=\"en_GB\" \/>\n<meta property=\"og:type\" content=\"article\" \/>\n<meta property=\"og:title\" content=\"U potrazi za Faustom po Veneciji i Padovi - 1.dio - Memorijalni centar Faust Vran\u010di\u0107\" \/>\n<meta property=\"og:description\" content=\"Ivana Sko\u010di\u0107 i Zlatka Rodin iz Memorijalnog centra \u201eFaust Vran\u010di\u0107\u201c Nakon uspje\u0161nog predavanja \u201eStisak ruke Leonarda da Vincija i Fausta Vran\u010di\u0107a\u201c, drugog po redu organiziranog u suradnji s Kulturnim domom, iz pograni\u010dne smo se Gorizije vlakom uputile u Veneciju. 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